2009年8月9日 星期日

點石成紙 TerraSkin

美國最近設計界非常推崇一個台灣的設計產品,還登上美國商業週刊專文介紹。

TerraSkin這品牌,將石頭化為紙,不但無污染,還可以自然分解回歸大地,不但防水,也較一般紙材更強韌。我覺得這名字取的很有意思,顧名思義就是「大地肌膚」,也算是最近的新「台灣之光」之一喔~

目前美國率先採用的企業已經有希爾頓飯店集團、紐約現代藝術博物館MOMA和以設計世界上坐符合人體工學的「龍椅」]的家具品牌Herman Miller,看來這股環保風的用力吹襲之下,大企業領頭做事果然引領風潮。



From Business Week America:
Product Innovations August 5, 2009, 2:24PM EST

TerraSkin: Paper Made from Rock
The treeless new product from Taiwan requires little energy to produce. It's recyclable—and degradable
By
Venessa Wong

Used to be bag options at the store were paper or plastic. Now shoppers can choose cloth bags, too. They may have another alternative: rock. Shopping bags and boxes from gift stores at New York's Museum of Modern Art, bags from personal-care company Erno Laszlo, and packaging of consumer products from Burt's Bees look, feel, and fold like paper, but they're made of crushed stone.
The treeless paper, manufactured in Taiwan and sold under the TerraSkin brand, is three parts recycled calcium carbonate—the same mineral in marble and limestone—and one part polyethylene binder. Production requires no water or bleach and only half the energy needed to make traditional paper. The material is durable; tote bags can be used over and over. It is also
recyclable. And TerraSkin breaks down into a talcum-like powder if exposed to sunlight and humidity long enough.
Its limitation: Price. Though the raw materials are cheap, sales volumes are low so its manufacturer has to make it in small batches. As a result, it typically wholesales for at least 8% more than packaging paper.
"Blown Away" at MoMA
Nonetheless, sales will triple in 2009, predicts Design & Source, a New York green
packaging company that distributes TerraSkin in North America. Other premium-end customers include Herman Miller (MLHR) and Hilton Hotels. MoMA recently ordered 682,000 TerraSkin shopping bags, which cost 25% more than previous plastic bags. Customers are "blown away by it," says Kathy Thornton-Bias, general manager for MoMA Retail.
Rising sales volume could lower costs, which might attract more customers. "We want to build economies of scale and streamline production process more," says Nicole Smith, environmental director for Design & Source. The company aims to make TerraSkin competitive with paper by 2012. Complicating that task: Coated-paper prices have dipped because of weak demand.
By most definitions, TerraSkin isn't a true paper. Because it contains polyethylene to bind the calcium carbonate, it is classified as a polymer or plastic film, says Andrew Dent, a library and research vice-president at materials consultancy Material ConneXion.
Durable plastic film that is water- and tear-resistant emerged as a niche alternative to fiber-based paper in 1969 when Tokyo's Yupo invented the first synthetic paper, also named Yupo. The company hoped the polypropylene-based paper, which also contains calcium carbonate, would replace regular paper but it never did. "Oil was cheap," says Marketing Manager Troy Olson. "The oil embargo in the '70s changed this." Today, the film can cost two to four times as much as paper, depending on the application.
Polymer's Many Uses
Yupo and competing products now are used primarily for labels—Procter & Gamble (
PG) uses the film on detergent and soap bottles—as well as printing materials such as menus and maps. Olson says it competes with laminated papers and synthetic sheets rather than paper.
Other polymer sheets have worked their way into different markets. Valéron Strength Films of Houston manufactures a film for tags, labels, signs, banners, envelopes, wristbands, and high-strength tapes. Teslin, a synthetic sheet made by Pittsburgh's PPG Industries (
PPG) is used in driver's licenses and other identification cards. Polymer films also show up in milk containers, butter wrappers, and yogurt cups. For this part, paper manufacturers have explored alternative fibers, including hemp, kenaf, and cotton, which has long been used in U.S. currency.
Products such as TerraSkin might broaden the market for synthetics. Unlike plastic films, they can be folded like paper and have a matte, almost chalky texture. It "feels like luxury paper—that actually is a great advantage" for certain uses, says Dent.
Rock paper has practical advantages, too. Burt's Bees, a subsidiary of Clorox (
CLX), uses TerraSkin for soap packaging and was able to save money in the end because it could substitute one layer of TerraSkin for a sheet of wax-coated paper and a printed paper cover.
BCC Research, a Wellesley (Mass.) market researcher, estimates that sales of synthetics for use in traditional paper products such as maps, menus, and banners will grow at a rate of 6%, to 34,250 tons in 2011, up from 25,600 tons in 2006. Still, it's a pipsqueak industry. North America consumed 32.9 million tons of printing and writing papers in 2006, according to the Printing & Writing Papers Assn. in Montreal.
Venessa Wong is an innovation and design writer for BusinessWeek.

2009年8月7日 星期五

最近愛的小動畫~

最近愛上一部小動畫~
是擅長多媒體的導演~William Cambell

不經意看到他這個自創實驗性小動畫"檸檬樹"
真是令人愛不釋手啊~
很有Tim Burton味道的小動畫~

故事內容是在描述我們都在不斷持續的尋找心目中的"完美"
然而當我們我們越去尋找就發現我們的記憶越是被扭曲...


音樂 燈光 畫面 場景 剪輯 鏡頭走位 和取景
更別說他的美學創意
樣樣都無懈可擊





The Lemon Tree from William Campbell on Vimeo.


其實Cambell的作品還蠻多的
我都還蠻喜歡
很有sense的動畫設計和片頭
還用了我最愛的安朱鳥(Andrew Bird)的Savoy
真是好聽又好看啊~





Bertrand's Unseen Goggles of the Sun from William Campbell on Vimeo.


我覺得Cambell的美學sense與修養真的蠻好的
細膩又有藝術感的視覺元素
排列組合總是處理的這麼好
韻律與節奏也恰如其分的抓住人心
令人百看不厭





Savannah Music Festival from William Campbell on Vimeo.


接下來兩支Cambell的汽車廣告也是令人目不轉睛
完全令人體驗完整的臨場感
風的聲音似乎從耳邊呼嘯
強烈的速度感 引擎瘋狂的加速震動
讚啊~





Nascar Pressure from William Campbell on Vimeo.








Nascar Tracks from William Campbell on Vimeo.




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愛上安朱鳥
一切都從這支可愛的短動畫開始
弔詭莫名的劇情引人遐想


我從片頭頭顱掉下來的節奏
猜想是先有安朱鳥的這首歌Eugene
才產生了這部動畫~

想必作者肯定也是個安朱鳥迷吧!





Quimby The Mouse from This American Life on Vimeo.




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最後推薦這個經由設計的學姐推薦
才發現這個耐人尋味
卻又有點淡淡哀愁的動畫短片~

非常光榮的
是台灣的馬匡霈(看我們馬家的多優秀啊~哈)
台南藝術大學音像動畫研究所畢業

獲選法國安錫動畫影展畢業創作類傑出表現獎
《「我說啊,」我說。》(The Soliloquist)
敘述男孩歷經失戀、搬家與尋求陪伴的故事的作品



樸實最美



最近注意到一個很棒的設計師~ zeke leonard
他回到自然的最基礎原素

如此的鄉村質樸
卻又如此的現代摩登
這麼簡單優雅的設計
卻非常震撼人心~

很有北歐和日本設計師的調調~
可是他卻是個不折不扣的美國人呢~
Zeke Leonard出生於美國的羅德島州
在紐約曾擔任舞台設計師的工作
也任教於羅德島設計學院
紐約大學表演藝術系等地方

想或許是羅德島的ㄧ片自然與風光明媚
使得他有了這麼原創的設計系列~

看起來真是令人讚嘆出奇的美那些天然的裂痕
一向是我最欣賞的自然之美
這樣的巧思讓光線
從天然的有機線條流露出來
真的令人感嘆
自然界真是世界上最偉大的設計師啊~